Still summer.

• one 12-ounce tuna steak from P.E. & D.D. Seafood in the Union Square Greenmarket, halved at home, rubbed, tops and bottoms, with a mixture of a dry Sicilian fennel seed from Buon Italia that had been crushed in a mortar and pestle along with a little dried peperoncino Calabresi secchi from Buon Italia, the tuna also seasoned with sea salt and freshly-ground black pepper, pan-grilled above a medium-high flame (for only a little more than a minute or so on each side), finished on the plates with a good squeeze of the juice of an organic lemon from Whole Foods Market, and served with a bit of micro sorrel from Two Guys from Woodbridge, some olive oil drizzled on top
• a mix of several kinds of baby summer squash from Norwich Meadows Farm, sliced lengthwise into 1/4″ sections, tossed with olive oil, sea salt, black pepper, and spearmint from Stokes Farm, arranged on top of a well-seasoned 2-burner cast iron grill and cooked, turning at least once, arranged on the plates and drizzled with a little olive oil [probably because it was getting late, I prepared the squash more simply than I normally do, and next time I would mix the slices with the mint after they have been grilled]
• the wine was an Italian (Puglia) white, Masseria Li Veli Verdeca 2015, from Garnet Wines
• the music was the album, ‘Sturm Und Drang’, music of Nicolas Bacri (b. 1961)

How does one lamb chop differ from the next? How can one be so much more delicious than the other? I don’t know the answer, but if he were around while I’m writing this, I’d start by asking Walter Adam, of Shannon Brook Farm.

Walter’s were pretty stupendous, last night.

• four lamb loin chops (21 ounces), grass-fed and organic, from Shannon Brook Farm, in the New York Finger Lakes, brought to room temperature, dried thoroughly, cooked on a very hot enameled cast iron grill pan for a total of 10 or 12 minutes, turning them over twice, seasoned with sea salt and freshly-ground black pepper after the first time, finished with a squeeze of juice from an organic lemon from Whole Foods Market, scattered with some chopped rosemary from Phillip’s Farm, and drizzled with a little olive oil
• one small finely-chopped red onion from Norwich Meadows Farm and a finely-chopped Rocambole garlic clove from Keith’s Farm, introduced to 3 tablespoons of olive oil already been heated above a high flame inside a very large cast iron pan, then stirred for a minute or so until the alliums had just begun to color, a bit of a finely-chopped small Calabrian medium hot cherry pepper from Alewife Farm and some chopped spearmint leaves from Stokes Farm added and stirred in, followed by some baby cauliflower of several colors and one head of Romanesco broccoli from Norwich Meadows Farm, the florets and smaller stems separated into bite-size pieces, everything sautéed, or braised, a little water added if necessary, for 7 to 10 minutes, or until the ‘cabbages’ were barely tender, seasoned with sea salt and freshly-ground pepper
• the wine was a California (Santa Barbara) red, Rick Boyer Santa Barbara County Syrah 2016, from Naked Wines
• the music was Mozart’s Violin Concertos Nos. 1 & 5, and his Sinfonia Concertante, performed by Vilde Frang, Jonathan Cohen conducting his chamber orchestra, Arcangelo, with violist Maxim Rysanov joining them in the Sinfonia Concertante

There was no plan, other than the idea that some baby eggplant would play a major role in this pasta. But then I quickly learned that I had a smaller amount of the vegetable than I had thought, so I looked around the kitchen for a supporting cast.

I ended up with 2 kinds of tomatoes, 2 kinds of allium, and a bit of other stuff. What resulted was so delicious I’d say that the mix had proved to be inspired, except that my choices were more of necessity than imagination.

The biggest surprise however was the way it appeared when it arrived on the table: There were 2 different versions.  The first helping was loaded with pieces of eggplant and green tomato, but we couldn’t locate the cherry tomatoes inside the low bowls (the other, thinner and lighter-colored tomato just about melted into the pasta); when I scooped out the second, smaller serving from the pot in which everything had cooked, there were gold cherry tomatoes everywhere, but not a single section of eggplant could be seen. The small tomatoes had apparently slipped through the pasta, with an ease denied the eggplant, with its odd shapes. It’s a mystery why I hadn’t noticed that when serving the pasta, when I could have compensated for it.

• one large clove of Rocambole garlic from Keith’s Farm heated with a tablespoon or more of olive oil (more added as needed during the following steps) inside a large tin-lined high-sided pot until softened, followed by 5 or 6 baby white eggplants from Berried Treasures, chopped into bite-size pieces, which were sautéed until they had begun to caramelize before one scarlet or Japanese scallion, thickly-sliced, and finely-chopped pieces of a small Calabrian medium hot cherry pepper from Alewife Farm were added to the pot and allowed to soften, followed by stirring in 10 or so halved ripe orange cherry tomatoes and one small thinly-sliced light green heirloom tomato, all from Berried Treasures Farm, the vegetables seasoned with sea salt and freshly-ground black pepper, and finally 8 ounces of Afeltra linguine from Eataly that had been cooked inside a large pot of salted water until barely al dente, then drained (reserving 1 cup of the cooking water), were added to the vegetables and mixed in, the reserved cooking water added as needed and stirred with the pasta, to emulsify the liquid, served in shallow bowls with a final drizzle of olive oil and sprinkled with Parmigiano-Reggiano Vache Rosse from Eataly
• the wine was an Italian (Friuli) white, Ronchi di Cialla Ribolla Gialla 2015, from Garnet Wines

There was a dessert.

• a scoop of some terrific Riverine Ranch Water Buffalo Sweet Cream Ice Cream [buffalo milk, organic farm eggs, pure cane sugar, organic coconut flour, and salt] dropped into the hollowed-out deseeded cores of 2 horizontally-sliced portions of half of an Asian melon from Norwich Meadows Farm, some blackberries from Locust Grove Orchards scattered over both, and some of the berries, mashed with a little turbinado sugar and a teaspoon or so of Toschi Orzata Orgeat syrup, poured over the top

• the music was the album, ‘Bach & Mendelssohn: Piano Concertos‘, Sabine Weyer, piano, Olga Pak, violin (in the Mendelssohn, a Double Concerto), with the Berlin Camerata

• one very fresh, fairly-thick 16-ounce Long Island waters swordfish steak from Blue Moon Fish, divided at home into 2 pieces, marinated for half an hour in a mixture of olive oil, much of the pink section of a scarlet/Japanese scallion from Norwich Meadows Farm, some fresh fennel seed from Berried Treasures, and a very small amount of chopped medium hot Calabrian cherry pepper from Alewife Farm, the steaks drained well, coated on both sides with some homemade dried breadcrumbs, pan-grilled over medium-high heat for about 5  minutes on each side, tented with foil for at least a part of that time because of their thickness, removed to 2 plates, seasoned with Maldon salt, some of the juice of an organic lemon from Whole Foods Market squeezed on top, drizzled with a little olive oil, and sprinkled with micro sorrel from Two Guys from Woodbridge

The side dish began with some spectacularly-colored eggplant.

• eight or ten small Turkish eggplants from Norwich Meadows Farm, cut horizontally into 3 slices, mixed with a little olive oil, 2 finely-chopped Rocambole garlic cloves from Keith’s Farm, 6 or 8 pitted and halved Kalamata olives from Whole Foods Market, sea salt, and freshly-ground black pepper, pan-grilled on an enameled cast iron ribbed pan over a brisk flame, turning once or twice, sprinkled with chopped spearmint leaves from Stokes Farm, served on the plates and finished with a drizzle of olive oil
• torn pieces of an ‘everyday baguette’ from Hot Bread Kitchen

There was a small tomato salad served in small dishes on the side, which was included only because, while I was preparing the rest of the meal, Barry had noticed the largest of a small cache of heirlooms on the windowsill had begun to exude some of its goodness onto the surface.

• one beautifully-catfaced [I should definitely have photographed it] large orange heirloom tomato from Berried Treasures, cut into bite-size sections or wedges, served with olive oil, a bit of lemon juice, salt, pepper, chopped lovage from Keith’s Farm, and chopped parsley from S. & S.O. Farm
• the wine was an Italian (Sicily) white, Ippolito Vini Grillo 2016, from Manley’s Wine & Spirits, 35 8th Avenue
• the music was Marc-Antoine Charpentier’s 1685 chamber opera, ‘La Descente D’orphée’, in a performance by William Christie and Les Arts Florissants

So it was just chicken, but it seemed to me it would be a very good chicken. I also had the help of some wonderful foraged mushrooms.

It was very good chicken.

And there was excellent wine.

I had bought the wild mushrooms at the Union Square Greenmarket. I knew I wouldn’t be able to use them that night, but I hadn’t thought about what I would cook them with the next day until after I had left the square and was approaching 23rd Street. I realized I didn’t have anything suitable at home, but I was already some distance from the farmers’ market, so I checked out my local Flatiron district Eataly, where I found they had product, new to me, that it seemed a perfect candidate.

The peppers were also pretty special.

• two partially-boned Cascun Farm chicken thighs (a total of one pound) from Eataly, browned on both sides inside a heavy oval cast iron enameled pot (one with a secure cover) just large enough for the chicken in some olive oil, removed and set aside, a little butter added and melted, 3 whole Rocambole garlic cloves from Keith’s Farm; one small red onion from Norwich Meadows Farm, halved and broken up a bit; and some crushed dried dark habanada pepper added to the pot and heated over a moderate flame until the alliums had softened and colored, then nearly 4 ounces of foraged Wine-cap mushrooms [Stropharia rugosoannulata] from Windfall Farms, roughly chopped, tossed in, stirred, and allowed to soften, the chicken returned to the pot, about 1/4 cup of a proper white wine added (Quinta da Aveleda Vinho Verde 2016, which we have been enjoying as an aperitif) and brought to a boil, the heat lowered to a steady simmer, the pot covered and the chicken and the other ingredients cooked until all were tender, or about 40 minutes, served on a crusty slice of ’12 Grain & Seed Bread’ (organic wheat and whole wheat with 12 cracked grains and seeds) from Bread Alone, the chicken garnished with chopped lovage from Keith’s Farm [the recipe which inspired this, from ‘Chicken Parts, 12 Ways‘, one suggests spreading the softened garlic onto the bread before placing the chicken and the rest of the sauce on top, but I forgot]
• some ‘Mars’ (sweet, citrusy) French heirloom peppers from Campo Rosso Farm, cut once lengthwise, the seeds and membranes removed, sautéed over a high flame until slightly caramelized, one sliced Japanese scallion, a chopped section from a small Calabrian medium hot cherry pepper from Alewife Farm, and a pinch of crushed dark dried habanada pepper added near the end, the mix tossed with sea salt, freshly-ground black pepper and sprinkled with some chopped summer savory from Ryder Farm, served with a drizzle of olive oil
• the wine was a terrific French (Chinon) red, Bernard Baudry ‘Les Grézeaux’ Chinon 2011, the gift of some wonderful friends
• the music was Marc-Antoine Charpentier’s 1693 tragédie mise en musique, ‘Médée’, composed with a libretto by Corneille, in a performance by William Christie and Les Arts Florissants