oregano-marinated swordfish, radish micro greens; kale

swordfish_oregano_radish_greens_kale

This was actually a very simple meal, put on the table very quickly, even allowing for some time with an incredibly minimal marinade.

  • two  very fresh inch-and-a-quarter-thick swordfish steaks (off of the F/V Bookie, out of the Hamptons) from Blue Moon Seafood in the Union Square Greenmarket, marinated for less than a half hour in a mixture of olive oil and fresh oregano from Stokes Farm (the last of a bunch which I had been able to keep fresh in the refrigerator since last fall), then drained well, covered with a coating of dried homemade bread crumbs, pan-fried over medium-high heat  for 4 to 5 minutes on each side, removed, salted, sprinkled with a little lemon juice and some colorful  ‘Hong Vit‘ micro Asian purple radish greens from Windfall Farms, fish and ‘greens’ finished with a drizzle of olive oil before serving
  • kale from Alewife Farm, sautéed in olive oil in which 2 small cloves of garlic from Whole Foods had first been allowed to sweat and begin to brown, seasoned with salt, pepper, and a dash of more olive oil
  • the wine was an Italian (Sicily) white, Corvo Insolia 2013, from Philippe Wine in Chelsea, located about 50 yards from our front door, and therefore sort of ‘local’
  • the music was the entire album. ‘Frederick The Great – Music For The Berlin Court’, performed by the Academy for Ancient Music Berlin (only moments before we had finally determined the exact dates of our May and June idyll in Berlin, der Hauptstadt des alten Fritz.

We enjoyed a simple and leisurely cheese course, with thin slices of a Balthazar rye boule, and the remainder of the wine.

  • the music was from a beautiful album of works by Johann Gottlieb Graun (1702–1771), a Brandenburg-born composer appointed to the court of the young Prussian prince years before Frederick became king, where he remained throughout his reign, as concertmaster, chamber musician, and director of the strings of the royal opera orchestra; Graun wrote 60 concertos for the violin alone, his own instrument as a virtuoso, over 100 symphonies, other concertos, and a great deal of chamber music