I could have put this meal together even more quickly (30 minutes start to finish) than I did, if only I’d remembered ahead of time that I was supposed to pit the olives before I tossed them into the mix of garlic, chilis, and tomatoes.
Incidentally, it’s a fantastic recipe, but for years I’ve been baffled by the fact that I could find no mention of it on line, anything even similar to it. In fact, if you do a Google image search for ‘inguazato’, 99.9% of the pictures that pop up are from my own food blog, and most aren’t even related to this dish. Tonight however, I tried searching under ‘coda di rospo couscous‘ (monkfish couscous), and I immediately came up with several sites, including this one. Now I can relax, but I also have to investigate further.
- two 9-ounce monkfish tails from Pura Vida Seafood, prepared using a David Pasternak recipe, but reducing the proportions, using two thirds of a cup of Tunisian M’hamsa Couscous and Portuguese olive oil, both from Whole Foods in Chelsea, sliced Rocambole garlic from Keith’s Farm, one and a half 400-gram cans of really good Afeltra canned pomodorini from Eataly Flatiron and several kinds of cracked green olives, from Buon Italia, Eataly Flatiron, and the Chelsea Whole Foods Market, all of which I happened to have on hand (ideally, they would be large green Sicilian olives), and 2 small whole dried peperoncino Calabresi secchi from Buon Italia
- two cavolo nero rooted hydroponic plants from Stokes Farm, wilted briefly inside a medium vintage tin-lined copper pot in a tablespoon or so of olive oil in which one Keith’s Farm Rocambole garlic clove had first been heated, the greens seasoned with sea salt and freshly-ground black pepper, drizzled with a little more oil
- the wine was a California (Carneros) white, La Tapatia Chardonnay Carneros 2016, from Naked Wines
- the music was from the remaining scenes or ‘Der Rosenkavalier‘, the opera which we had begun to listen to during dinner the night before
It may look pretty unsophisticated, and it was unsophisticated, but the meal was delicious, and surprisingly cosmopolitan: The sausage was spicy Iberian, but made by a legendary New York German butcher shop; the sauce had both American and German elements, but was made in the U.S.; except for the Italian olive oil, the potatoes were pretty German, even if they were called ‘Yukon; the greens, garlic, and peperoncino were totally Italian; the wine has to be described as both American and Portuguese; the music was at once Münchner und Wiener, and it gracefully straddled 3 different centuries (albeit just under 200 years).
Oh, and Barry and I both agree: One cannot serve potatoes too often.
- four Spanish Style Chorizo sausage links (1.1 lbs) from Shaller & Weber, pan grilled until they looked more than a little blistery
- served with Inglehoffer cranberry mustard (the absolute rightness of that sausage-condiment pairing was a surprise to both of us as well, when we had first tried it)
- small Yukon Gold potatoes from Norwich Meadows Farm, boiled with a generous amount of salt until barely cooked through, drained, dried while still inside the large still-warm vintage 1930’s Corning Pyrex blue-glass ‘Flameware’ pot in which they had cooked, halved, tossed with a little very good Portuguese olive oil from Whole Foods Market, sprinkled with sea salt and freshly-ground black pepper, topped with scissored chives from Lucky Dog Organic Farm
- some rapini from Migliorelli Farm that had been washed the night before but not cooked as part of that meal, wilted in a large antique high-sided tin-lined copper pot in which a bit of dried pepperoncino Calabresi secchi from Buon Italia and 2 cloves of Keith’s Farm Rocambole garlic had been heated over a low flame in a tablespoon or so of Portuguese olive oil until the garlic had begun to color, the greens seasoned with sea salt and freshly-ground black pepper and drizzled with a little more olive oil
- the wine was a California (Amador County) medium-bodied red made with 2 Portuguese grapes, Touriga and Tempranillo, Ana Diogo-Draper Amador Touriga/Tempranillo 2016, from Naked Wines
- the music was Strauss’s 1909-1910 opera, ‘Der Rosenkavalier’ Leonard Bernstein conducting the Vienna Philharmonic, with Christa Ludwig, Lucia Popp, Dame Gwyneth Jones, Placido Domingo, Walter Berry, u.a.
Our special guest, visiting from overseas (oh, magic word) had never had dinner in our apartment, at least not while we were there, so I wanted the meal to be special as well. The most important thing was not to mess up; the second was that it would be delicious, but also reflect some of the rich local seafood bounty available in New York.
Its success at the table depended partly on my not being too distracted by brilliant conversation in the kitchen, and the food choices I had were almost entirely dependent on what was available in the Greenmarket that afternoon. I’m pretty sure the meal passed muster, and the incredibly fresh local scallops, cod, and winter rapini filled the program I had in mind very well.
The appetizer’s featured player has always been a popular favorite.
- nine sea scallops (10 ounces) from American Seafood Company, rinsed, dried, slit horizontally with a very sharp knife almost all of the way through to accommodate small bits from a mixture of some fresh oregano leaves from Stokes Farm, one medium-size clove of Rocambole garlic from Keith’s Farm, sea salt, and black pepper, all having chopped together very finely and removed to a small bowl where just enough olive oil was added to form a paste, the scallops then rolled around on a plate with a little more olive oil, drained, pan grilled in an enameled cast iron pan for about 2 minutes on each side, removed to 2 plates, finished with a squeeze of organic lemon from Whole Foods Market and a drizzle of olive oil
- six large, very ripe, very sweet Backyard Farms Maine ‘cocktail tomatoes’ from Whole Foods Market, washed, dried, halved, seasoned with sea salt and freshly-ground black pepper, heated for a minute in a small tin-lined copper skillet
- slices of a wonderfully-crusty ‘polenta boule’ from She Wolf Bakery
- the wine was a French (Loire/Cheverny) white, Pascal Bellier Cheverny Blanc 2017, from Vin Des Amis
The central actor in the main course also came from the sea, although the extraordinary purple potatoes gave the wonderful fresh cod some earthy competition.
- *three 9-ounce cod fillets from American Seafood Company in the Union Square greenmarket, halved, prepared more or less from a recipe from Mark Bittman which I had originally come across 12 years ago: the cod washed and rinsed, placed in a platter on a bed of coarse sea salt, with more salt added on top until the pieces were completely covered, then set aside while a bed of potatoes was prepared for them by slicing 20 ounces or so of Tamarack Hollow Farm Peter Wilcox purple-skinned, golden-fleshed potatoes (several, maybe interlopers, were purple all the way through) to a thickness of about a quarter inch, tossing them in a large bowl with olive oil, sea salt, freshly-ground black pepper, and a large pinch of orange/gold home-dried Habanada pepper (acquired fresh last fall from Norwich Meadows Farm), arranging the potatoes, overlapping, in a rectangular enameled cast iron oven pan, cooking them for 25 minutes or so in a 400º oven, or until they were tender when pierced, and then, before the potatoes had fully cooked, the cod having already been thoroughly immersed in many changes of water to bring down the saltiness (incidentally, the soaking process somehow gives the fish more solidity, which can be easily felt while it’s being handled it at this point, and it’s kinda sexy), draining and drying the 3 pieces before placing them inside the pan on top of the potatoes, drizzling them with a little olive oil and scattering some freshly-ground black pepper on top, returning the pan to the oven for 8 to 12 minutes (the exact time depends on the thickness of the fillets), removing the fish with a spatula (or, much better, two spatulas), along with as much of the potatoes as can be brought with each piece, and arranging everything as intact if possible onto 3 plates, returning to the pan for the remainder of the potatoes, the servings each scattered with sunflower sprouts from Windfall Farms [Note: whether by luck or skill, maybe both, the cod was cooked perfectly]
- one bunch of broccoli rabe (aka rapini) from Migliorelli Farm, wilted in a little olive oil in which 3 Rocambole garlic cloves from Keith’s Farm had been heated until beginning to color, then seasoned with sea salt and freshly-ground black pepper, divided onto the plates and drizzled with more olive oil
- the wine with the main course was a Portuguese (Douro) white, Folias de Baco Uivo Moscatel Galego Branco 2016, also from Vin Des Amis
The dessert (wow, we rarely get that far through a meal, even when we have guests) was a first for all of us.
- the music throughout the meal was our conversation
It wasn’t a fish day at the market, and it wasn’t even a market day. In fact I hadn’t been to the Greenmarket in 4 days, so I wouldn’t have had much to work with if I had wanted to put together a pasta or egg dish.
Then I realized that it was probably time to do something with the sun chokes I had in the crisper, so I defrosted the 2 small pork chops I had also been saving.
Some of the tomatoes I had on the north window sill became a fresh condiment for an entrée that would otherwise have felt pretty wintry, and the very last bit of some wild cress remaining in the refrigerator added a touch of green.
- two thick, bone-in, eight-and-a-half-ounce loin pork chops from Flying Pigs Farm, rinsed and thoroughly dried, seasoned with salt and pepper on both sides, seared quickly over a high flame inside a heavy enameled cast-iron pan, half of a Whole Foods Market organic lemon squeezed over both, then left in the pan, cut side down, while they roasted in a 400º oven for about 14 minutes (flipped halfway through and the lemon squeezed over them once again with metal tongs), the chops removed from the oven, sprinkled with sliced spring garlic from Windfall Farms and chopped lovage from Two Guys from Woodbridge, and the pan juices spooned over the top
- twelve ounces or so of sunchokes from Max Creek Hatchery, trimmed, scrubbed, sliced very thinly (1/8-1/4 inch), tossed with barely a tablespoon of olive oil, sea salt, freshly-ground black pepper, one section of golden/orange habanada pepper, and two halved bay leaves from Westside Market, spread in one layer onto two large Pampered Chef unglazed ceramic pans (one would not be enough, since they had been cut so thinly and there really has to be some pan surface showing if they are expected to become crisp), roasted at 425º for about 30 minutes, or until they were brown, tender, and crispy on the edges
- four Backyard Farms Maine ‘cocktail tomatoes’ from Whole Foods Market, washed, halved, seasoned with sea salt and freshlypf=ground black pepper, arranged cut side down around the pork chops during the last five minutes of their time in the oven
- a little bit of wild cress from Lani’s Farm, not dressed
- the wine was a Portuguese (Bairrada) white, Luis Pato Vinhas Velhas Branco 2016, from Garnet Wines
[third image is a detail of ‘Tim Rollins and K.O.S., A Midsummer Night’s Dream (after Mendelssohn and Shakespeare)’ 2012, watercolor, ink on music score pages on canvas, the photograph is from The Style Abettor]
I had looked at the Union Square Greenmarket phone app while still abed on Monday, and saw I that there would be no fisher presence there that day, probably because the weather over the weekend had kept the boats from going out, so I didn’t head down. I could have used some vegetables, but I knew I’d find something to use with what I had on hand.
I went with an interesting salume and an interesting pasta, and I almost cleaned out my very small supply of greenery in the process.
- a small handful of arugula from Norwich Meadows Farm, dressed with a small drizzle of the same oil, a bit of Maldon salt, and some freshly-ground black pepper
- slices of a whole wheat sourdough miche from Bread Alone
The pasta was a total improvisation.
- three tablespoons of Organic Valley ‘Cultured Pasture Butter’ melted inside an antique tin-lined high-sided copper pot, thin slices of one medium red onion from Eataly and three small sliced cloves of Keith’s Farm Rocambole added and stirred over a low to moderate flame until translucent, several leaves of fresh sage added, along with a piece of a dried darker gold habanada pepper, stirred for a minute or so, and a good part of one sliced Japanese scallion from Norwich Meadows Farm tossed in, followed by the addition of a quarter to a half of a teaspoon of poppyseed and a generous amount of freshly-ground black pepper, and finally half a pound of Sfoglini ‘Rye Trumpets’ (organic rye flour, organic durum semolina flour, water), cooked seriously al dente, were slipped into the pot and stirred over medium heat while some reserved pasta water was added to emulsify the liquid, the pasta divided between 2 shallow bowls, a bit of Portuguese olive oil from Whole Foods Market drizzled around the edges, and topped with shaved Parmigiano Reggiano Hombre from Whole Foods Market
- the wine was an Oregon (Willamette Valley) white, Scott Kelley Pinot Gris Willamette 2017, from Naked Wines
- the music was the album, ‘Bloodroot’ by Kelly Moran