Month: March 2019

smoked seafood pâté; seared porgy, herbs, lemon; greens

I had bought two packages of smoked fish salad at the Union Square Greenmarket on Saturday, thinking we’d need that much for 4 people, but we only opened one of them that night. The 2 of us would share the contents of the other container on Monday and Tuesday.

  • a composed smoked fish salad, or pâté, using local fish caught by Phil Karlin, whose wife, Dolores Karlin, made it, consisting of more than one white fish species, mayonnaise, red onion, and celery, from P.E. & D.D. Seafood Company (the salad was perfectly seasoned), served on slices of a loaf of ‘table bread’ from Philadelphia’s Lost Bread Co. that had just been toasted over an open gas flame on our Camp-A-Toaster’
  • leaves of loose small arugula from Norwich Meadows Farm, dressed with some very good unfiltered olive oil from the 6th Avenue Trader Joe’s, Maldon salt, freshly ground black pepper, and a drizzle of organic lemon juice from Chelsea Whole Foods Market

The main course, however, was all new. It was dominated by seafood as well, which, coincidentally, had come from the same fishers who had brought us both the fish in the pâté and the cod we had enjoyed on Saturday.

Also new – and quite old – was the very large tin-lined copper pan I used to cook the fish. Although they weighed barely a pound altogether, the area the fillets would occupy was larger than any pan surface I had (that is, other than a pretty enormous, beautifully-seasoned carbon steel long-handled fish skillet, which I could have used, since there would be no acid involved in the cooking).

The new pan was a triumph.

  • eight small (2-ounce) Porgy fillets from P.E. & D.D. Seafood, rinsed, dried, seasoned with sea salt and freshly-ground black pepper, pan-seared, along with 4 small thinly-sliced Japanese shallots from Norwich Meadows Farm, over medium heat inside a newly-acquired and newly-retinned 13″-round shallow antique copper pan in a bit of butter and a little olive oil, the fish basted with the contents of the pan more or less continually for about 2 minutes, using a small brush, then carefully turned over, and the heat reduced to low, a cover placed on the pan (I used a new, tempered-glass universal lid that almost fit snugly between the handles) and the filets cooked for about about another 2 minutes before the cover was removed and a mix of 2 or 3 tablespoons of 7 different fresh herbs thrown in (this time I used thyme and spearmint from Chelsea Whole Foods; parsley from Norwich Meadows Farm; lovage from Two Guys from Woodbridge; oregano from Phillips Farms; tarragon from Flatiron Eataly; and basil from a friend’s indoor garden), after which the basting was continued for about minute, or until the fish was cooked through, the fillets then arranged on the 2 plates, the pan juices and scallion fragments, together with the juice of one organic Whole Foods Market lemon, poured over the top, and a few chopped green segments of scallion scattered over everything (the recipe has been slightly modified from one written by Melissa Clark)
  • the greens from 2 bunches of French breakfast radishes purchased from Eckerton Hill Farm (most of the radishes themselves had been enjoyed at the beginning of the meal on Saturday)

 

 

There was a dessert this time, which is something of a rare occurrence at our table.

 

[the image above, a portrait of Gioacchino Rossini in a super dressing gown, or banyan, by an unidentified artist, is apparently from the Theaterwissenschaftliche Sammlung – Universität zu Köln, via Pinterest (which does not load)]

lemon/habanada/celery pork chop, potato; roasted chicory

I had decided early in the day on Sunday that I would prefer cooking a dinner with meat that night to one with pasta, since I had a good supply of both vegetables – and small, or micro vegetables as well – since more of them could be incorporated in, as it turned out, a pork entrée, than in any pasta.

Also, the freezer had grown almost full, which was going to make it hard to bring home something interesting that I might find at the market.

Another note about the dinner: Unusual for a meal at our table, there was not a single garlic clove or spicy chili. It was still eminently delicious.

  • two 8-ounce boneless pork chops from Walter and Shannon of Shannon Brook Farm in the Finger Lakes, thoroughly dried, seasoned with salt, pepper, and a large pinch of light gold dried habanada pepper, seared quickly in a heavy enameled cast-iron pan before half of an organic Chelsea Whole Foods Market lemon was squeezed over them then left in the pan, which was then placed in a 400º oven for about 13 or 14 minutes (flipped halfway through and the lemon squeezed over them once again), removed from the oven, arranged on the plates, sprinkled with the chopped stems and leaves of 2 stalks of (pre-spring) baby celery from Windfall Farms, the rich pan juices poured over the top
  • just under a pound of small, really wonderful, sweet Natasha potatoes from Phillips Farms,  scrubbed, boiled unpeeled in generously-salted water until barely cooked through, drained, halved, dried in the still-warm large vintage Corning Pyrex Flameware blue-glass pot in which they had cooked, tossed with a little Trader Joe’s Italian Reserve extra virgin olive oil, seasoned with salt and pepper, and garnished with micro chervil from Two Guys from Woodbridge

  • a couple handfuls of beautiful chicory rosettes from Campo Rosso Farm that had popped up from last fall’s plants, washed, drained, dried, each halved – or quartered, if larger, tossed in a large bowl with a little olive oil, salt, pepper, and a number of thyme branches from Chelsea Whole Foods, then arranged inside a large well seasoned Pampered Chef oven pan, without touching, roasted at 400º for about 10 minutes [I have to admit that I went a little overlong this time, but a bit crispy is good too, when it comes to chicory], removed from the oven and allowed to cool just a little before they were drizzled with a very small amount of balsamic vinegar
  • the wine, a perfect pairing, was a really terrific unfiltered, unfined pinot noir, a French (Loire) red, Marie and Vincent Tricot’s ‘Les 3 Bonhommes’ 2016, from Copake Wine Works (I can’t say enough about the experience)
  • the music was the contemporary Spanish composer Alberto Posadas’ ‘Poetics of the Gaze’, with Nacho de Paz conducting Klangforum Wien (a great listening)

smoked fish pâté; baked cod on potato; purple kale; gelato

There were two guests, and two fishes, actually, more than two (fishes).

We had friends to dinner and it was decided that seafood should dominate the menu, partly because we figured most New Yorkers rarely cook fish at home, and I definitely do. The first course featured a salad (the fisherman himself calls it a pâté), of several different species, and the main could hardly have been a more classic Northeastern entrée.

It was delicious, but maybe not the best choice for serving guests, since I was in the kitchen quite a bit while they were here, even though, of the 4 courses I served, essentially all one could be described as mostly or entirely ‘prepared’.

We drank a sparking  wine while nibbling on fresh radishes and some crunchy things

The first sit-down course was assembled, not cooked.

  • a composed smoked fish salad using local fish caught by Phil Karlin, whose wife, Dolores Karlin, made it, consisting of more than one white fish species, mayonnaise, red onion, and celery, from P.E. & D.D. Seafood Company(the salad was perfectly seasoned), served on slices of a demi baguette from Bread Alone toasted over an open gas flame on our Camp-A-Toaster’
  • wild cress from Lani’s Farm, drizzled with a small amount of a very good olive oil, Badia a Coltibuono, Monti del Chianti, from Chelsea Whole Foods Market
  • the wine was a New Zealand (Marlborough) white, Churton Marlborough Sauvignon Blanc 2017, the gift of our 2 guests

Using an expression I remember was very common (both senses) while I was growing up, I suppose the main course was the pièce de résistance.

  • two one-pound fillets [I would aim for smaller amounts of both fish and potatoes the next time I’m cooking for 4, because these amounts pretty much crowded the pan] of fresh Atlantic cod, also from P.E. & D. D. Seafood, prepared mostly following an old recipe from Mark Bittman that I had come across years ago: the cod washed and rinsed, placed in a platter [I had to use an oven pan this time, because of the size of the cod] on a bed of coarse sea salt, with more salt added on top until the piece was as completely covered as possible, set aside while a bed of potatoes was prepared for them (meaning that the cod would normally be encased in salt for about 30 minutes), by slicing nearly 2 pounds of really wonderful ‘la ratte’ potatoes from two Greenmarket sources, Phillips Farms and Mountain Sweet Berry Farm to a thickness of less than 1/4 inch, tossing the potatoes in a large bowl with olive oil, sea salt, freshly-ground black pepper, and a large pinch of light orange/gold home-dried Habanada pepper [acquired the summer before last from Norwich Meadows Farm], arranging the potatoes in a large [Bittman wrote “an 8-by-11-inch or similar size baking pan”] rectangular  enameled cast iron oven pan, placing them in a 400º oven for 25 minutes or so, or until they were tender when pierced with a knife; while the potatoes were cooking, roughy half way through those 25 minutes, the cod was removed from the salt and the platter or pan on which it had been resting, and thoroughly immersed in or soaked in many changes of cold running water, to bring down the saltiness (the soaking process somehow gives the fish more solidity, which can be easily felt while it’s being handled it at this point), drained, dried, and cut to produce 4 pieces of equal weight (I’ve gotten really good at the geometry of irregular shapes), all of them placed on top of the potatoes once they had cooked, each piece of cod drizzled with a little olive oil, some freshly-ground black pepper scattered on top, the pan returned to the oven for about 15 minutes (the exact time will always depends on the thickness of the cod), the fillets then removed with a wooden spatula (or, even better, 2 wooden spatulas), bringing along with as much of the potatoes as possible with each piece, everything arranged, as intact as possible, onto 4 plates, returning to the pan for the remainder of the potatoes, each serving garnished with micro red mustard from two Guys from Woodbridge

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  • a generous amount of purple kale from Norwich Meadows Farm, wilted with olive oil inside a large enameled cast iron pot in which at least 4 halved ‘music garlic’ cloves from Windfall Farms had been allowed to sweat in more than a tablespoon of olive oil until pungent, seasoned with salt, pepper, and a drizzle of fresh olive oil
  • the wine was a great Portuguese (Vinho Verde) white, Vinho Verde Loureiro, Aphros 2016, from Astor Wines

There was a cool, citrus dessert, which seemed like a perfect way to end this meal, and the only ‘cooking’ involved the chopping of the topping.

  • small glass bowls of Ciao Bella Sicilian Blood Orange gelato from Chelsea Whole Foods Market, sprinkled with chopped candied ginger slices from Whole Foods Market

roasted skate, tomato, mustard, tiny celery; potato, chervil

I should have halved the potatoes, to help them appear as sweet as they tasted.

 

Paul pointed me toward the whole skate wing lying in the iced tub, but I had already (almost) decided that the skate was what I would be taking home. One cooked with its cartilage, and, I think, at least some of the bone, is definitely more tasty than it is when it’s been filleted, and that means it’s very very good.

There was also something entirely new to our kitchen, a harbinger of spring, which is officially only a few days away, some baby celery, the first apium graveolens of the season. The crunch is great, and the leaves are less bitter than they are when full grown.

  • six Backyard Farms Maine ‘cocktail tomatoes’ from Whole Foods Market, halved, tossed gently inside a shallow bowl with less than a tablespoon of olive oil and less than one crushed peperoncino Calabresi secchia from Buon Italia, arranged, their cut sides down, inside a medium size glazed ceramic oven pan and roasted at 400º for about 10 minutes, after which one 20-ounce skate wing from Pura Vida Seafood, untrimmed, with cartilage and the bone where it had attached to the body wholly intact (although, before cooking it I had cut it into 2 halves, removed most of the bone and used a scissors to trim the lacy edges of the wing along the lines demonstrated in this short video) seasoned with sea salt and freshly ground black pepper, transferred to the pan after moving the tomatoes to the edges, and roasted for another 15 minutes or so, when a mixture of a tablespoon of olive oil, half a tablespoon of lemon juice, half a teaspoon of good Dijon mustard, and more than a half tablespoon of rinsed salted Sicilian capers that had been whisked together just before was poured over the fish and tomatoes, the pan returned to the oven for 2 or 3 minutes, the casserole removed, its contents arranged on 2 plates, the tomatoes next to or on the skate, both garnished with the finely chopped stem and tender leaves of one small stalk of spring celery from Windfall Farms, small lemon quarters placed to the side of the plates
  • one pound of very sweet small pinto potatoes from Norwich Meadows Farm, scrubbed, boiled unpeeled in generously-salted water until barely cooked through, drained [and although not halved although they should have been], dried in the still-warm large vintage Corning Pyrex Flameware blue-glass pot in which they had cooked, tossed with a chopped very small ‘yellow shallot’ from Norwich Meadows Farm, a little Trader Joe’s Italian Reserve extra virgin olive oil, and seasoned with salt and pepper, garnished with micro chervil from Two Guys from Woodbridge
  • the wine was a French (Bordeaux) white, Château Haut-Dambert Entre Seux-Mers (60% Sauvignon Blanc, 25% Sauvignon Gris, 15% Muscadelle), from Foragers Wines
  • the music was the album, ‘The Twenty-Fifth Hour: The Chamber Music of Thomas Adès’, performed by the Calder Quartet and Thomas Adès, piano

oregano/chili/habanada/lemon-roasted squid; spinach

Oh so good.

On my way home from the Greenmarket with these Cephalopoda on Wednesday I thought about how many people think of squid only as an appetizer, usually batter-coated and deep-fried, which can be awesome, but that we almost always enjoy them at home as the special main event I think their goodness deserves.

  • one pound of rinsed and carefully dried baby squid from American Seafood Company, quickly arranged inside a large rectangular enameled cast iron pan that had been heated on top of the stove until hot and its the cooking surface brushed with olive oil, and once the oil itself was quite hot, immediately sprinkled with a heaping teaspoon of super-pungent dried Sicilian oregano from Buon Italia, a good section of a peperoncino Calabresi secchia from Buon Italia, and a section of light-colored home-dried habanada pepper (purchased fresh from Norwich Meadows Farm), sea salt and freshly-ground black pepper, followed by 3 tablespoons of juice from an organic Chelsea Whole Foods lemon, and a splash of olive oil, the pan placed inside a pre-heated 400º oven and the squid roasted for just less than 5 minutes, by which time their little bodies had ballooned, then removed, the squid distributed onto 2 plates and ladled with the cooking juices, once they’d been transferred to a footed glass sauce boat
  • seven or eight ounces of loose spinach from Tamarack Hollow Farm washed in several changes of water, drained, very gently wilted (that is, not reduced too far) inside a large, heavy, antique high-sided tin-lined copper pot in a little olive oil in which 3 quartered cloves of ‘music garlic’ from Windfall Farms had first been allowed to sweat, the spinach seasoned with salt, pepper, and a little dried peperoncino, finished on the plates with a little more olive oil
  • slices of ‘table bread’ from Philadelphia’s Lost Bread Co

There was a cheese course, at least partly as a reward for my success in getting dinner started earlier than usual.

  • two cheeses, a semi-firm Riverine Ranch water buffalo ‘farm stand cheese’, and a “mammuth’ goat milk cheese (camembert style) from Ardith Mae, with a little roughly pounded black pepper and some Maldon salt on the plate
  • more slices of Lost Bread’s ‘table bread’

 

[the image of the bical grapes is from this 2018 Eric Azimov New York Times article; the image from the Los Angeles Philharmonic fully staged world premiere of Andriessen’s ‘Theatre of the World’ from the blog, Louis Andriessen]